The first film stood out for the way in which directors Peter Ramsay, Rodney Rothman and Bob Persichetti got their team to paint Miles' world, a fresh style borne from an incorporation of traditional animation techniques and comic book art into new technologies. – Why Sam Raimi's Spider-Man was one of a kind In Spider-Verse, a “multiverse” means, above all, a chance to break some rules rather than conform to formula. But they learned the wrong lesson from Spider-Man: Into the Spider-Verse – seeking out the multiverse's opportunities for a free-for-all of franchise possibilities, with different characters and different incarnations of characters able to be paired together at will, while passing over Into the Spider-Verse's real draw, which was its embrace of the visual idiosyncrasies of superhero comic books and using those in service of a fresh visual language. While the multiverse was novel back in 2018, it's a concept that has subsequently become a little played out within comic book films, in particular the movies of the Marvel Cinematic Universe. For the uninitiated, the animated Spider-Man series imagines that its central web-slinging hero, Miles Morales, exists within a vibrant "multiverse" of worlds where different incarnations of Spider-Man rule the roost. The new film Spider-Man: Across the Spider-Verse emerges in a rather different cinematic landscape than the one its predecessor, Spider-Man: Into the Spider-Verse, did five years ago.
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